The only people that come to my mind in the last years are Lee McQueen and John Galliano. Truly, truly . . . How do I say? Full of ideas. Full of the smell. They just had this incredible passion for what they did.
London College of Fashion, University of the Arts London, offers the range of subjects that help young designers to arrange the underpinnings that are necessary to get from zero to 10. The hardest part is the beginning, understanding your passion and making the decision that whatever it takes, that's what you're going to do. London College of Fashion shows them what they must do and helps them to find their goal.
Seriously, if you complain about going to a Paris fashion show, you have officially lost all perspective on life as we know it. And I have little kids who are hard to be away from sometimes when school's going back and there are tons of things that you're missing. But you know, there's that great Billie Jean King expression: "Pressure is a privilege." We can all deal.
I don't think of myself as a role model, but I do feel like, for women out there who are trying to figure out who they are, the most important choice to make is to live a life that's true to who you are inside. And let your ideas and your heart and your mind drive your fashion choices.
I love watching Rihanna in fashion. I like to see her take chances and risks. I like seeing Naomi Campbell in the forefront. They're both women who stand out and use their bodies as canvases to introduce this functional art to the world. They carry it in a way that is very inspiring.
If you feel comfortable in what you're wearing, you'll look your best, and I think that's a really important idea. Sometimes, whether it's fashion or beauty, things are on-trend, and they look beautiful on the runway, but when I apply them to myself, it doesn't look the way it should.
I like looking nice, but I always put comfort over fashion. I don't find thin girls attractive; be happy and healthy. I've never had a problem with the way I look. I'd rather have lunch with my friends than go to a gym.
When I started, I knew nothing about fashion. I remember, my first day going to my agency, I was wearing these huge bell-bottoms - they were patchwork corduroy and denim, which, at the time, I thought were amazing. My agent told me, 'You have a casting with Prada - you have to burn those jeans.'
I always get criticized for my clothing because I like wearing jeans and T-shirts. There's nothing wrong with dressing sexy. It's just I don't want to be anything that I'm not. I'm not here to be a fashion icon. I am here to make songs.
Zara right now has incredible jeans. I'm obsessed. They have these jeans that have those ridges on the knees. I swear they have a little bit of stretch to them, so they hug everything in the right places. They've got great boyfriend jeans that are torn up, and you can cuff them.
My favorite designer is Christian Lacroix, not just because his clothes are amazing and I love them, but because he's so nice. When I did his fashion show, he was the first one to arrive there and he helped everyone.
I have had more magazine covers in the last 25 years than I have had in my whole elongated career. [...] Today I am in a territory that business considers unmarketable: age and white hair. Slowly, however, I started to own that territory little by little because I stood up for age.
Because I would be around so many people in the fashion industry, there's this kind of dialogue. People would always say, 'Oh your daughter is so beautiful. Is she a model?' And it was so strange for me to hear because I felt so not beautiful inside.
Fashion matters to the degree that it is, for the sighted person, the first language we speak to each other. We are... "judge" is a very harsh word, but we're taking in and we're evaluating. Who is this person? What do I have in common? Do I respect them? All of that is that unspoken visual impact.
For a lot of people, it's a massive deal to be on the front row at Fashion Week and look perfect. I don't go to be seen; I go to look at the collections and support my friends, like Henry, Giles and Jonathan Saunders. As much as I love clothes and shopping, it doesn't drive me.
Fashion goes in cycles but nothing has changed. When it's ridiculous it's more ridiculous than ever, and when it's wonderful it becomes more wonderful than ever because now more people think: "I dress the body I have, not I have to change the body to wear the fashion." That's what I admire about the growth of the fashion industry. I also think it's wonderful that there is the opportunity to use different textures and fabrics on different colour skins. I am inspired by that.