Welcome to our Creativity collection, a tribute to the boundless realm of imagination, originality, and the transformative power of embracing creativity as a means of self-expression and problem-solving. In this curated compilation of quotes, we explore the world of creativity, celebrating its ability to inspire innovation, ignite passion, and redefine the way we perceive art, ideas, and the human spirit.
Creativity is more than a concept; it's a wellspring of inspiration, a force that propels us to think beyond boundaries, and a source of empowerment that unleashes the unique potential within each of us. Our Creativity quotes honor the wisdom of those who've embraced the power of imaginative thinking, the insight that arises from understanding the transformative influence of creative expression, and the way creativity empowers us to transform challenges into opportunities and embrace the beauty of originality.
Whether you're captivated by the stories of individuals who've embraced creativity as a way of life, intrigued by the psychology of innovative thinking and artistic expression, or simply drawn to the narratives of individuals who've found empowerment through their creative pursuits, these quotes offer insights into the strategies, attitudes, and practices that nurture and celebrate creativity.
Embark on a journey that celebrates the stories of individuals who've embraced creativity as a boundless journey of self-expression, the wisdom drawn from understanding that true beauty lies in the power of human imagination, and the inspiration to infuse your own life with a sense of creativity that resonates with your values and aspirations. Discover the narratives of those who've found empowerment through creative expression, the secrets to cultivating a mindset of imaginative thinking, and the empowering realization that creativity is the key to unlocking your inner artist, innovator, and problem-solver.
When I feel I'm going to write something, then I just am quiet and I try to listen. Then something comes through. And I do what I can in order not to tamper with it.
It's a tremendous challenge, because there have been so many characters created over the years. Every time you think you come up with a great name, you find out somebody has already done it. Dreaming up the stories isn't that hard, but coming up with a good title is the toughest part.
When I was very little, four or five, I did comic strip drawings, so my first novel had no words. I couldn't write and thought adult handwriting was a mysterious scribble. When I was 14, my grandmother gave me a typewriter and I started writing in a different way.
I thought it would be fun to take the kind of character that nobody would like, none of our readers would like, and shove him down their throats and make them like him.
When you can sit down with a plain sheet of paper in front of you and make some notes, and, little by little, you see it take shape and become a concept for a movie or a TV show. That's a real thrill. You watch it go from notes on a paper to a meeting with writers and directors and actors. I can't think of anything that's more exciting.
I believe that the creative impulse is natural in all human beings, and that it is particularly powerful in children unless it is suppressed. Consequently, one is behaving normally and instinctively and healthily when one is creating - literature, art, music, or whatever. An excellent cook is also creative! I am disturbed that a natural human inclination [creative work] should, by some Freudian turn of phrase, be considered compulsive - perhaps even pathological. To me this is a complete misreading of the human enterprise. One should also enjoy one's work, and look forward to it daily.
A writer - and, I believe, generally all persons - must think that whatever happens to him or her is a resource. All things have been given to us for a purpose, and an artist must feel this more intensely. All that happens to us, including our humiliations, our misfortunes, our embarrassments, all is given to us as raw material, as clay, so that we may shape our art.
Of course, it may be that the arts of writing and photography are antithetical. The hope and aim of a word-handler is that he maycommunicate a thought or an impression to his reader without the reader's realizing that he has been dragged through a series of hazardous or grotesque syntactical situations. In photography the goal seems to be to prove beyond a doubt that the cameraman, in his great moment of creation, was either hanging by his heels from the rafters or was wedged under the floor with his lens in a knothole.
I enjoyed reading Batman, and Superman, and all the super ones, but I never wished I created them. I've got to let there be some work for other people!
If you are a writer you locate yourself behind a wall of silence and no matter what you are doing, driving a car or walking or doing housework you can still be writing, because you have that space.
A man sets out to draw the world. As the years go by, he peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses, and individuals. A short time before he dies, he discovers that the patient labyrinth of lines traces the lineaments of his own face.
I never understood why people take drugs. They're habit forming and they can kill you. I didn't need anything to pep me up or make me feel more creative, and I didn't need them to help me with women.
It's hard not to be enthusiastic when you like what you're doing and I love what I do. I love writing stories, I love coming up with ideas for new projects and I love the people I work with, because I work with great writers and artists and directors and actors.
I don't think that writer's block exists really. I think that when you're trying to do something prematurely, it just won't come. Certain subjects just need time, as I've learned over and over again. You've got to wait before you write about them.
The things that are said in literature are always the same. What is important is the way they are said. Looking for metaphors, for example: When I was a young man I was always hunting for new metaphors. Then I found out that really good metaphors are always the same.
There are no moral or intellectual merits. Homer composed the Odyssey; if we postulate an infinite period of time, with infinite circumstances and changes, the impossible thing is not to compose the Odyssey, at least once.
I'm not interested in the fact that a writer may label himself as being intellectual or anti-intellectual. l'm really interested in the stuff he's turning out.
Most people say, "I can't wait to retire so I can play golf," or go yachting or whatever they do. Well, if I was playing golf, I would want that to finish so I could go and dream up a new TV show.
Although I'm very lazy when it comes to writing, I'm not that lazy when it comes to thinking. I like to develop the plan of a short story, then cut it as short as possible, try to evolve all the necessary details. I know far more about the characters than what actually comes out of the writing.
The way I'm doing it is I'm trying to think to myself, "Okay, I have the name Superman, and he's going to be a guy that deserves the name 'Superman.' I'm trying to forget about Krypton, about The Daily Planet what would I do if I was thinking it up?" I can do it any way at all..I can make him an Eskimo midget who's toothless and blind... I can do anything. It's difficult .
I think what distresses me most in my life is that I have so many ideas I consider exciting ideas that I will never live to execute because it takes me so long to execute.
I know that when I think of myself as being utterly worn out, when I think that somehow I have nothing more to write, then something is happening within me. And, in due course, it bubbles up; it comes to the surface, and then I do my best to listen. But there's nothing mystical about all this. I suppose all writers do the same.
I think it's just the challenge. It's not that all my life I've wanted to do characters [in Marvel] , because I never particularly thought about it, but the challenge of saying, "How could they be done differently that may be more absorbing or more effective?"
I hardly know what I'm going to write - an article, a story, a poem in free verse - or in some regular form. I only know that when I have the first sentence. And when the first sentence makes a kind of pattern, then I find out the kind of rhythm I'm looking for.
If nobody is looking for a story, and I have no reason to write a story, I would really much rather to do anything else because it's no fun writing stories, particularly not for me. I just do it in order to sell them and make a couple of bucks.