Welcome to our collection of Literature quotes! Immerse yourself in the magical world of words, where imagination knows no bounds and stories come alive on the pages of books. Whether you're an avid reader, a passionate writer, or simply someone who appreciates the power of literature, this collection is sure to inspire and transport you into different worlds.
From the classics to contemporary works, Literature encompasses a vast array of genres and styles. Here, you will find quotes from renowned authors, poets, and playwrights who have left their mark on the literary landscape. Dive into the wisdom and insights of literary giants, and discover the beauty and depth that can be found within the written word.
Discover quotes that celebrate the power of storytelling, the influence of books, and the profound impact that literature can have on our lives. Whether it's a thought-provoking line from a novel, a lyrical verse from a poem, or a captivating monologue from a play, these quotes capture the essence of what makes literature such a cherished art form.
So, join us as we explore the world of Literature through the words of those who have shaped it. Let these quotes ignite your imagination, stir your emotions, and remind you of the timeless beauty that lies within the pages of a good book. Get ready to embark on a literary journey like no other!
I am not sure that I exist, actually. I am all the writers that I have read, all the people that I have met, all the women that I have loved; all the cities I have visited.
It's impossible to read a distinctive stylist like Faulkner, Joyce, Kafka, Mann, Woolf, James - and many more - without wanting to write, however entirely different one's writing will be.
All poets who, when reading from their own works,m experience a choked feeling, are major. For that matter, all poets who read from their own works are major, whether they choke or not.
In a free country it is the duty of writers to pay no attention to duty. Only under a dictatorship is literature expected to exhibit an harmonious design or an inspirational tone.
The European and the North American consider that a book that has been awarded any kind of prize must be good; the Argentine allows for the possibility that the book might not be bad, despite the prize.
I don't teach literature from my perspective as 'Joyce Carol Oates.' I try to teach fiction from the perspective of each writer. If I'm teaching a story by Hemingway, my endeavor is to present the story that Hemingway wrote in its fullest realization.
I...have always known that my destiny was, above all, a literary destiny — that bad things and some good things would happen to me, but that, in the long run, all of it would be converted into words. Particularly the bad things, since happiness does not need to be transformed: happiness is its own end.
I don't read for amusement, I read for enlightenment. I do a lot of reviewing, so I have a steady assignment of reading. I'm also a judge for the Anisfield-Wolf Book Awards, which gives awards to literature and nonfiction.
It is worth remembering that every writer begins with a naively physical notion of what art is. A book for him or her is not an expression or a series of expressions, but literally a volume, a prism with six rectangular sides made of thin sheets of papers which should include a cover, an inside cover, an epigraph in italics, a preface, nine or ten parts with some verses at the beginning, a table of contents, an ex libris with an hourglass and a Latin phrase, a brief list of errata, some blank pages, a colophon and a publication notice: objects that are known to constitute the art of writing.
We did meet forty years ago. At that time we were both influenced by Whitman and I said, jokingly in part, 'I don't think anything can be done in Spanish, do you?' Neruda agreed, but we decided it was too late for us to write our verse in English. We'd have to make the best of a second-rate literature.
Literature is not exhaustible, for the sufficient and simple reason that a single book is not. A book is not an isolated entity: it is a narration, an axis of innumerable narrations. One literature differs from another, either before or after it, not so much because of the text as for the manner in which it is read.
The things that are said in literature are always the same. What is important is the way they are said. Looking for metaphors, for example: When I was a young man I was always hunting for new metaphors. Then I found out that really good metaphors are always the same.
In fact I'm in too much of a mental muddle to know where I am - an idealist or not. I'm a mere man of letters, and I do what I can with those subjects.
I have used the philosophers' ideas for my own private literary purposes, but I don't think that I'm a thinker. I suppose that my thinking has been done for me by Berkeley, by Hume, by Schopenhauer, by Mauthner perhaps.
In the course of a life devoted less to living than to reading, I have verified many times that literary intentions and theories are nothing more than stimuli and that the final work usually ignores or even contradicts them.
The exercise of letters is sometimes linked to the ambition to construct an absolute book, a book of books that includes the others like a Platonic archetype, an object whose virtues are not diminished by the passage of time.
In the order of literature, as in others, there is no act that is not the coronation of an infinite series of causes and the source of an infinite series of effects.