What's great about New York is that there are a lot of theater actors and actresses, who are trained actors, that they bring onto the show. They're so talented, in such a weird, quirky and ominous way. And it's great to be able to work with new faces, too.
While America will always, I think, feel foreign to me, New York City is my home. This is where I can construct my own identity freely and reject labels imposed on me.
I always have a positive reaction to Times Square - you've got so many people passing through here, so many cultures, and so many people merging into the central community of New York City. This is the hub of America.
It was in New York, and I've always wanted to film in New York. And the writer was a teenage friend of mine. We did youth theatre together when we were 16 and always had a dream of making a film together. And ten years later, we've done it. So it's great.
A cupcake is like a great pop song. The whole world in less than three minutes. And it's impossible to have a bad cupcake. In New York you walk everywhere. So I'm always looking, always on the eternal search for the perfect cupcake. I take them very seriously. It's like hunting and gathering for me.
New York has a thousand universes in it that don't always connect but we do all walk the same streets, hear the same sirens, ride the same subways, see the same headlines in the Post, read the same writings on the walls. That shared landscape gets inside of all of us and, in some small way, unites us, makes us think we know each other even when we don't.
I always sort of talk about - to myself at least, or to my friends, about wanting to just keep life very simple. I've found it most simple here in New York. You know, it's basically I have a, in a way, a 9-to-5 job, you know? I do eight shows a week. I live in New York City. I get to walk everywhere, and you know, just be one of the people of the city. And it's actually wonderful.
In terms of theater, there's not a more supportive theater community than in New York. It's really kind of a real thrill to go there. I mean, don't forget, I'm a boy from the suburbs of Sydney, so getting to New York is a huge, huge thrill.
My real difficulty was to become a normal person again, after having been a movie actress for so long. For me, at the time I was living in New York and Hollywood, a normal person was someone who made movies.
New York is perhaps the only place in America where you feel at the centre and not at the margins, in the provinces, so for that reason I prefer its horror to this privileged beauty, its enslavement to the freedoms which remain local and privileged and very particularized, and which do not represent a genuine antithesis.
In 1996, the possibility of going to New York came up. From then on, I started searching for opportunities on the international market and the plane became my home.
I hate the traffic over there. Why don't they start to build moving pathways to replace all the streets? I see New York in a very futuristic way, but they must do something new.
I love New York ... I think it's the best city in the world. As far as cities go, everything's there. I think it's so vibrant. I love the people, I think they're honest, in your face. If they don't like you, they'll say, 'Get out of my way,' if they like you they'll slap you on the back and support you. It's a very intoxicating environment to be in.
In New York, you are constantly faced with this very urgent decision that you have to make, about every twenty minutes...you have to decide, immediately, you have to go "Ohmigod. Do I look at the most beautiful woman in the world or the craziest guy in the world?"
When I came to New York and I opened the window of the thirty-fifth-floor apartment, there's light pollution and fog, and I couldn't see my star. So I drew it on my wrist with a pen, but it kept washing away. Then I went to a tattoo parlor on Second Avenue and had it done.