American journalist, critic, film-maker, and autobiographer of Dominican descent
Raquel Cepeda is an American journalist, critic, film-maker, and autobiographer of Dominican descent. The editor of Russell Simmons' OneWorld magazine between 2001 and 2004, Cepeda was also the editor of the award-winning anthology "And It Don't Stop: The Best American Hip-Hop Journalism of the Last 25 Years", the co-producer, writer, and director of the documentary film Bling: A Planet Rock, and the author of "Bird of Paradise: How I Became Latina."
New YorkWhile America will always, I think, feel foreign to me, New York City is my home. This is where I can construct my own identity freely and reject labels imposed on me.
A mother isn’t the person who births you; it’s the person who rears you and shows you love.
Individually, every grain of sand brushing against my hands represents a story, an experience, and a block for me to build upon for the next generation.
Are Latino-Americans white? Black? Other? Illegal aliens from Mars? Or are we the very face of America?
I have never bought into the idea that blood is thicker than water. Love and respect are meant to be earned from our children, our spouses, our families, and our friends.
Foisting an identity on people rather than allowing them the freedom and space to create their own is shady.
The truth is usually left for us to hunt and gather independently, if we are so inclined.
There are things in our blood that are just naturally passed down to us, whether we want to recognize them or not.
Hip-hop...has been the proverbial key that's opened the door for me to roam this breathtaking planet.
Support and encouragement are found in the most unlikely places.
Lately, Mami’s eyes have been so dark, I don’t like looking into them because I’m afraid I’ll fall in.
When we illuminate the road back to our ancestors, they have a way of reaching out, of manifesting themselves...sometimes even physically.
Janet Mock's honest and sometimes searing journey is a rare and important look into la vida liminal, one that she manages to negotiate remarkably well, with grace, humor, and fierce grit. Mock doesn't only redefine what realness means to her, but challenges us to rethink our own perceptions of gender and sexuality, feminism and sisterhood, making this book a transcendent piece of American literature.
Globalization by the way of McDonald’s and KFC has captured the hearts, the minds, and from what I can see through the window, the growing bellies of the folks here.
We aren’t encouraged to think for ourselves and ask questions. We are expected to accept what they teach us as infallible truths.
The hospital room was as cold as dead skin, the hallway crowded with lost souls and reeking of illness.
I guess it all depends on whom you ask and when you ask. Race, I've learned, is in the eye of the beholder.
This thing I am feeling, I’m almost certain, is the closest I’ll ever come to standing somewhere in between truth and reconciliation.
I remember feeling that pieces of me were scattered around the world; I belonged to her, Mother Earth.
The past is buried deep within the ground in Rabat, although the ancient walls in the old city are still standing, painted in electrifying variations of royal blue that make the winding roads look like streamlets or shallow ocean water
I wish she'd said something different, but patriarchy is as prevalent around the world as racism and xenophobia are. We can't hide from it, not even here.
The Dominican Republic is my holy land, my Mecca.
Nobody, she felt, understood her-not her mother, not her father, not her sister or brother, none of the girls or boys at school, nadie - except her man.
Shakespeare had it right all along: Love will kill you in the end.
The things that come to us easily, our propensities, are carried on a deep subconscious level into our next life. There are no coincidences.
Our identities are as fluid as our personal experiences are diverse.
Paradise is a state of being, more than just the name of a suburb or a home.
For some, excavating the past isn’t an adventure, it’s more akin to tearing a Band-Aid off an open wound.
This is what I know about my parents. They spent the next several years trying to forget each other, and me.
Even the juncture in history and the zeitgeist we live in is something we choose, setting the scene for the spiritual fodder we need to grow and achieve deeper elevation of our souls.
To me, travel is more valuable than any stupid piece of bling money can buy
If Aphrodite chills at home in Cyprus for most of the year, then Fez must be the goddess’s playground
Come to think of it, maybe God is a He after all, because only a cruel force would create something this beautiful and make it inaccessible to most people
Being Latino means being from everywhere, and that is exactly what America is supposed to be about.
We travel with the same clan over and over again, from one life to the next, until some ultimate purpose is fulfilled and we no longer need to return.
Women destroy me. I allow them to.