Best quotes by Mahershala Ali

Mahershala Ali

Mahershala Ali

American actor and rapper

Mahershala Ali (born Mahershalalhashbaz Gilmore, February 16, 1974) is an American actor and rapper who has received multiple accolades, including two Academy Awards, three Screen Actors Guild Awards, a BAFTA Award, a Golden Globe Award and a Primetime Emmy Award. Time magazine named him one of the 100 most influential people in the world in 2019. In 2020, The New York Times ranked him 23rd in its list of the 25 Greatest Actors of the 21st Century.

After pursuing an MFA degree from New York University, Ali began his career as a regular on television series, such as Crossing Jordan (2001–2002) and Threat Matrix (2003–2004), before his breakthrough role as Richard Tyler in the science fiction series The 4400 (2004–2007). His first major film role was in the David Fincher-directed fantasy The Curious Case of Benjamin Button (2008). He gained wider attention for supporting roles in the final two films of The Hunger Games film series, and in House of Cards, for which he received his first Primetime Emmy Award nomination.

Ali won the Academy Award for Best Supporting Actor for his performances as Juan in the drama film Moonlight (2016), and for his portrayal of Dr. Don Shirley in the comedy-drama film Green Book (2018). He is the first Muslim actor to win an Oscar, the first black actor to win two Academy Awards in the same category, and the second black actor to win multiple acting Oscars.

In 2019, he played a troubled police officer in the third season of the HBO anthology crime series True Detective and in 2020, he starred in the second season of the Hulu comedy-drama series Ramy. He was nominated for Primetime Emmy Awards for both performances. In the Marvel Cinematic Universe (MCU) media franchise, Ali portrayed crime boss Cornell "Cottonmouth" Stokes in the Netflix series Luke Cage (2016–2018), and voiced vampire hunter Blade in the feature film Eternals (2021), ahead of his own standalone film.

All quotes by Mahershala Ali:

To really be conscious of how long the journey is, be patient, push yourself, persevere and always be working on your craft while waiting for your break.

Hold tight to the mentality of being a student, meaning hold on to curiosity and approach life as a student.

I always hope to be a better person tomorrow than today.

At the end of the day we're all spirits having a physical experience.

The people that I admire have a wonderful balance of self-belief and humility.

What inspires me today is a desire to get closer to an understanding of what my artistic capacities are with the hope of organically sharing my gifts with an audience in the most heightened way I possibly can.

When we kind of get caught up in the minutiae, the details that make us all different, I think there's two ways of seeing that. There's an opportunity to see the texture of that person, the characteristics that make them unique. And then there's an opportunity to go to war about it and to say that that person is different from me and I don't like you, so let's battle.

At the end of the day we're all spirits having a physical experience. That really comes from my relationship with Islam because it just makes me really conscious of my action.

I think what I've learned from working on "Moonlight" is we see what happens when you persecute people. They fold into themselves.

I feel like [terrorism] acts are un-Islamic. So to see that happen and somebody do that in the name of God, it just - and the religion that you practice, it just - it hurts your heart so deeply because it's such a misrepresentation of the faith.

I was always sort of ahead of myself in some way, shape or form and trying to envision how to get further along and closer to fulfilling that dream of being of being free and having a creative agency, so to speak.

My mother is an ordained minister. I'm a Muslim. She didn't do backflips when I called her to tell her I converted 17 years ago. But I tell you now, we put things to the side, and I was able to - I'm able to see her. She's able to see me. We love each other.

I went to a mosque in Philadelphia with [my wife] in December 24, 1999. And we we went to this mosque in Philly, and I just had such a strong reaction to the prayer. And I was really emotionally - I felt really grounded at that time. And so to be in this prayer and the imam is doing the prayer in Arabic and I don't understand a word of Arabic but I just remember these tears just coming down my face and it just really connecting to my spirit in a way that felt like I needed to pay attention to that.

The freedom that I wanted as a kid would - probably would not have been good for me and not in the way in which I wanted it.

Anyone who grew up in the crack era - you know, I grew up in that era - knew that there were also people out - and there are still guys to this day that are out there, you know, obviously drug dealing - but those were the guys who had access and had money. And some of those guys felt responsible to create opportunity for other people and were also aware of the dangers of their work and often aren't really the ones that are encouraging kids to get into drug dealing.

I think my mom gave me the borders, the - gave me a very clear understanding of what the perimeter was. And I had to find my fun within those boundaries.

My connection to music is so strong. I cling to it. I vibe out to it. I release stress to it. Music is really always close to me. It's really present in my work in terms of how I relate to characters is through rhythm and sound, even in their speech.

Because on that watch list, they would be like, yeah, your name - they told me like, yeah, your name matches the name of a terrorist or someone that they're watching. I was just like, what terrorist is running around with a Hebrew first name and a Muslim - Arabic last - I'm like, who's that guy?

I was fortunately able to avoid getting into any trouble with police. There was - I remember I was 12, and I did something really (laughter) - a couple of friends, Cinco de Mayo - we were off school, and we saw some people looking like they were having a party. And we had a little bit too much time on our hands, and so we figured, as kids, a great idea would be to throw some things over the fence and hit all these people with stuff, like eggs and everything.

Gay, straight - whatever - adolescents in high school and coming out of junior high, that's such a difficult, awkward period and kids can be so cruel and mean.

I remember after 9/11, I started - I was working quite a bit in Vancouver. And then I realized I would go to catch my flight, and it would take me like 20 minutes to get cleared to fly, like, every time. I'm like, what is going on?

I know there were periods of times where I didn't feel understood, and there were very few people around me that I felt like they really got me. There was one person who was sort of the one in my life that really got me.In general, I felt a little bit on the outside and not totally included. There was a period of time when we were moving around a lot. So I couldn't really hold on to a certain set of friends. And so that was a little bit difficult.

It felt, like, so far from - or far enough from the reality of things that we can enjoy it purely as entertainment. And now it feels a little bit too in alignment, honestly, but yeah - so we'll see how season five [House of Cards] goes over there.

I grew up in church. My mom's a minister, and my grandmother was an ordained minister. I was always very mindful of the presence of a greater being I call God.

Between the two [parents], it was a really unique upbringing, I think, especially for where I was from.

[Crack epidemic] definitely has impacted folks in my family, most definitely. I think that's true for most, if not all people, regardless of color, that grew up in and around areas that were closer to the nucleus of the crack epidemic.If you look at Baltimore or D.C., Detroit, Chicago, Oakland, like, Los Angeles.

So many Muslims would tell you that they felt like that you had to - you fold it into yourself because people were looking at you and recognizing you as being the culprit even though, look, I'm American. I don't believe that the teachings of Islam justified those actions.

I never wanted to accept that. And so I have always fought against that in some way, shape or form and had - I've had people who have supported trying to get me in for things that were beyond the character description.

I wanted to get that scholarship to - a division one scholarship and play ball and go to school for free. And that, to me, was - I was always about getting to that next step. If I could get to that next place, then I could figure out essentially what to do with being in that space and how to manage my time and handle those - handle all the benefits of being in that space in a way that would get me to the next place.

I do think that there are people who are able to connect with and empathize with anyone who is going through something difficult, just naturally. I don't think it's a world of effort for everyone.

My father had a lot to do with me thinking about acting, though he never saw me act. He passed away probably - he passed away as I was doing my first play, but I just think being exposed to it and being around it. It wasn't something that I ever thought I couldn't do because I grew up around it.

I got into [acting] so late because of sports. And then when I was in grad school, I sort of got lulled into basically forgetting I was black, in - meaning that everyone you play at a conservatory, 95 percent of the characters are non-black.

Getting to St. Mary's College was a big deal for me because that essentially led to me getting to go to NYU.

In my time at St. Mary's College, drifting out of sports because it was something that began to feel really finite. And I could see that I didn't have the passion to sustain a career in sports.

I didn't have the passion for athletics in that way, that there were other parts of me that felt under-served and that needed to be nurtured and needed my energy.

I played all four years [at St. Mary's College] with - at a certain point, basketball became the thing I was doing most, but it was really in my periphery.

It was really a focus on how to in some ways keep moving in this direction towards something that allowed me to express myself in a way that sports didn't.

How do I transform and be believable as Krogstad in "A Doll's House" or Sir Peter Teazle in "A School for Scandal".

Isaiah the prophet, Isaiah's second son was - his symbolic name was Mahershalalhashbaz. And Isaiah was - the Prophet Isaiah was instructed to write the name in all capital letters as a prophecy. And it means hasten to the spoils, speedy as the prey.

I was born in Oakland and grew up, probably about five miles from Oakland, in Hayward. And Hayward was OK. Like, Hayward wasn't - very much a working-class area and had definitely went through a decline and is now, seemingly, coming back around, which is nice to see.

My experiences growing up - my father lived in New York, so I was going out there in the summers and meeting really interesting people and people having what seemed to me to be extraordinary experiences and really taking advantage of these wonderful opportunities. And so I will go - I would go to the big city and watch these people performing onstage and doing television and films. And then I would go back to Hayward, and it just suddenly felt that much smaller and sort of limiting because I had this hyper awareness of how much larger the world was.

I think in some ways, I would go back home, and I didn't really quite fit in and couldn't - didn't have a person to bounce those experiences off of. So I felt a little bit trapped within me, and it made me feel lonely because I really couldn't - the things that were exciting to me, I couldn't really share those with another kid and that other kid understand that.

My parents were kids when I was born. My mother was 16. My father was 17, and they got married in high school. And they split a few years later. When they split was when all that was happening also, and he - they were just coming into themselves. But they remained friends.

My dad moved to New York after he won "Soul Train" and the car and got settled in out there and was able to step right into Dance Theatre of Harlem and felt like he was in a show called "Omnibus" and "American Dance Machine."

[My grandmother] was the assistant pastor at Palma Ceia Baptist Church in Hayward - my grandmother, Evie Goines. And so my mother was doing - I remember when my mother graduated from beauty college, so I was about 5, and so I guess she was about 21. And I just remember being there, taking the pictures and seeing her get her diploma and everything. But she was doing hair for many years. during that time, she kind of started to discover or tap into her religious studies. It was around the time I was starting to go through puberty and hitting, like, 12, 13.

As a kid, you're starting to grow up and want more freedoms. But if you have people who are absorbing and adopting religious principles and teachings, they start drawing these lines and creating confines in their life to live within certain lines.

There was things just like not being able to date or - I'm talking like 15, 16 - like just certain things that my friends started to do. Like, they started to get phone calls from girls or like, you know, go and hang out 10, 11 at night, kind of going to the movies. There were just certain things that - it's not that I couldn't do all of those things. It's just that every choice was really deliberate and conscious and thought out and sort of balanced against the religion in a way where I felt - I wasn't necessarily trying to convert at 12 like [my mother] was.

I think how strict my mother's home could be with my mom and my stepfather, there was a fluidity and freedom in my dad's existence that I enjoyed when I was around him, though the responsibility was just different. He expected me to carry myself a certain way without all the rules and confines.

I had read some books on the Baha'i Faith. I had read - I was looking into Buddhism and trying to understand sort of the agnostic approach, so there was just a bunch of stuff I was just looking at.

When you graduate is when you start to find yourself looking at the information in the audition breakdown and it says tall black African - or African-American built such and such. And you start seeing these character descriptions and seeing that, oh, you're only going in for the ones that are described as your look.

I had gone to - that was my second time going to the mosque. And then at that time we met [with my wife], she was Muslim and - but was at a point where - because her father is an imam and her mother, though, is a convert, but she was basically raised Muslim. And she was at that point where she was deciding or trying to come to terms with her own relationship with Islam and how to embrace that for herself. So I was sort of trying to come walk toward it.

This is 2003, 2004. And then I started - after the Patriot Act, I would always get my financial packages in the mail and they would just be opened. And it was like, what is going on here?

I've personally been on the outside sometimes. But I was - I personally was never persecuted especially in the way in which sharing my own experiences.

Again, having - fortunately having never been in trouble. And eventually I found out that I was on a watch list.

Having a child is the polar opposite experience of the awards season experience. The awards-season experience requires you to be out in the community, in the heart of the community, at the nucleus of the film community in a really committed way for about a six-month period of time. Having a child requires you to nest, to be in your home, and to create and make your home and environment that is one that is potentially very welcoming and nurturing for a child.

When it finally came my way and doors opened up for me to do it and to be on stage, it felt like a natural thing to try out. And it just so happened to speak to me. I really couldn't do what I needed to do in the most fulfilling way in Hayward, Calif., or in the Bay Area, that it required me to go off to NYU.

I became more curious about the story behind the story [in the House of Cards]. So what was really going on behind the headline? And it's a little bit sad that that show, it doesn't seem so much like entertainment the way it did back when we started doing it.

You are an American, so you're hurt that other American citizens have been hurt, but you end up having to shoulder the shame for something that you don't even believe. There's a lot of years where Muslims have dealt with having to make themselves very small and not disrupt the flow and not - make sure that you're not noticed because, you know, deep down inside people are not really excited that you're around .

It felt like it disrupted my rhythm in growing up. But I will say that I'm really grateful for [my mother's] own personal transition.

I'm not much of cook, but I cook a mean bowl of oatmeal.