American actress, singer, model, and activist
Diahann Carroll (born Carol Diann Johnson; July 17, 1935 – October 4, 2019) was an American actress, singer, model, and activist. She rose to prominence in some of the earliest major studio films to feature black casts, including Carmen Jones (1954) and Porgy and Bess (1959). In 1962, Carroll won a Tony Award for Best Actress in a Musical, a first for an African-American woman, for her role in the Broadway musical No Strings. In 1974 she starred in Claudine alongside James Earl Jones for which she was nominated for an Academy Award for Best Actress.
Her title role in Julia, for which she received the 1968 Golden Globe Award for Best Actress In a Television Series, was the first series on American television to star a black woman in a non-stereotypical role, and was a milestone both in her career and the medium. In the 1980s, she played the role of Dominique Deveraux, a mixed-race diva, in the prime time soap opera Dynasty. Carroll was the recipient of numerous stage and screen nominations and awards, including her Tony Award in 1962, Golden Globe Award in 1968 and five Emmy Award nominations. She died on October 4, 2019, from breast cancer.
FearIn the war against breast cancer, we have the ability to arm ourselves with knowledge and education is a powerful tool. By taking action and doing something positive, fear is replaced with hope.
HealthFearIn the war against breast cancer, we have the ability to arm ourselves with knowledge and education is a powerful tool. By taking action and doing something positive, fear is replaced with hope.
BeautyWhenever you're on television, there's a responsibility to look timeless. I worked with the masters of film, fashion and beauty. I took their words into my soul, like a kind of religion that I exhibited to the world to all of our benefit. To this day, it takes a great deal of time to do my makeup the way I feel comfortable. At 82, it's still a part of what I do. I enjoy it.
The lesson that I would hope everyone would learn quite early in their career is don't take it personally. Whatever it is that happens, you're accepted for a role or rejected for a role of whatever, don't take it personally. It's part of the business and the person that is either hiring or firing-that's their business. That's what they are there for and it has nothing to do with how you feel about ... It has to do with someone else's perception of should you do this particular part, so just don't take it personally,. The business is really about rejection, so don't take it personally.
I suppose our lives need to be more integrated. We have white communities and black communities and white country clubs and black country clubs. It's very important when we integrate ourselves, and it helps us to have a better understanding of the world, to people all over the world and this is the time in history that we have become very aware of how important that is, so I think it's just really-we have to know each other and work together and play together in order to write about each other.
Whenever you're on television, there's a responsibility to look timeless. I worked with the masters of film, fashion and beauty. I took their words into my soul, like a kind of religion that I exhibited to the world to all of our benefit. To this day, it takes a great deal of time to do my makeup the way I feel comfortable. At 82, it's still a part of what I do. I enjoy it.
As soon as my mother saw my father, she said, "Oh! I think I'm gonna marry that man." That's the reason I've been married four times, because I think it's that easy ... it really is not.
I am a breast cancer survivor. I was intrigued to learn how many people prefer to talk to someone if they are familiar with their face, like an actor or a politician. So, I began traveling around the country and doing speeches.
I hope that there are no persons that would want to think ill of me in any direction or any behavior.
With any president it is difficult to predict how the world will be effected by his presence in the white house.
I've spent about that amount of time trying to tell the public that there was purpose in... my business, my career and the roller coaster ride... how the people I associated with worked together.
I think if you work in television everyday, and you must be privy to everything happening in television, then do so.
I have a line of clothing at J.C. Penney's... and I'm lucky to be affiliated.
I considered Nat King Cole to be a friend and, in many ways, a mentor. He always had words of profound advice.
If you're not invited to the party, throw your own.
I had a mom and a pop who kept telling me that I was wonderful at a very early age. So when someone said to me, "Oh, you're stuck up. Who do you think you are?" I'd say, "I know who I am, and I don't mind being stuck up".
I like to think I opened doors for other women, although that wasn't my original intention.
You have to keep your sanity as well as know how to distance yourself from it while still holding onto the reins tightly. That is a very difficult thing to do, but I'm learning.
In the beginning, I found myself dealing with a show business dictated by male white supremacists and chauvinists. As a black female, I had to learn how to tap dance around the situation. I had to ... find a way to present my point of view without being pushy or aggressive. In the old days, the only women I saw in this business were in makeup, hairdressing, and wardrobe departments. Now I'm surrounded by women executives, writers, directors, producers, and even women stagehands.
The lesson that I would hope everyone would learn quite early in their career is don't take it personally. Whatever it is that happens, you're accepted for a role or rejected for a role of whatever, don't take it personally. It's part of the business and the person that is either hiring or firing-that's their business. That's what they are there for and it has nothing to do with how you feel about ... It has to do with someone else's perception of should you do this particular part, so just don't take it personally,. The business is really about rejection, so don't take it personally.
I suppose our lives need to be more integrated. We have white communities and black communities and white country clubs and black country clubs. It's very important when we integrate ourselves, and it helps us to have a better understanding of the world, to people all over the world and this is the time in history that we have become very aware of how important that is, so I think it's just really-we have to know each other and work together and play together in order to write about each other.
As soon as my mother saw my father, she said, "Oh! I think I'm gonna marry that man." That's the reason I've been married four times, because I think it's that easy ... it really is not.
I am a breast cancer survivor. I was intrigued to learn how many people prefer to talk to someone if they are familiar with their face, like an actor or a politician. So, I began traveling around the country and doing speeches.
I hope that there are no persons that would want to think ill of me in any direction or any behavior.
With any president it is difficult to predict how the world will be effected by his presence in the white house.
I've spent about that amount of time trying to tell the public that there was purpose in... my business, my career and the roller coaster ride... how the people I associated with worked together.
I think if you work in television everyday, and you must be privy to everything happening in television, then do so.
I have a line of clothing at J.C. Penney's... and I'm lucky to be affiliated.
I considered Nat King Cole to be a friend and, in many ways, a mentor. He always had words of profound advice.
If you're not invited to the party, throw your own.
I had a mom and a pop who kept telling me that I was wonderful at a very early age. So when someone said to me, "Oh, you're stuck up. Who do you think you are?" I'd say, "I know who I am, and I don't mind being stuck up".
I like to think I opened doors for other women, although that wasn't my original intention.
You have to keep your sanity as well as know how to distance yourself from it while still holding onto the reins tightly. That is a very difficult thing to do, but I'm learning.
In the beginning, I found myself dealing with a show business dictated by male white supremacists and chauvinists. As a black female, I had to learn how to tap dance around the situation. I had to ... find a way to present my point of view without being pushy or aggressive. In the old days, the only women I saw in this business were in makeup, hairdressing, and wardrobe departments. Now I'm surrounded by women executives, writers, directors, producers, and even women stagehands.